Thursday, November 8, 2007


By 1920, Fairbanks had completed twenty-nine films (twenty-eight features and one two-reel short), which showcased his ebullient screen persona and athletic ability. By 1920, he had the inspiration of staging a new type of adventure-costume picture, a genre that was then out of favor with the public. In the The Mark of Zorro, Fairbanks combined his appealing screen persona with the new adventureous, costume element. It was a smash success and parlayed the actor into the rank of superstar. For the remainder of his career in silent films, he continued to produce and star in ever more elaborate, impressive costume movies. Fairbanks spared no expense and effort in these films, which established the standard for all future swashbucking films.
In 1921, he, Pickford, Chaplin, and others, helped to organize the Motion Picture Fund to assist those in the industry who could not work, or were unable to meet their bills.
During the first ceremony of its type, he and Pickford placed their hand and foot prints in wet cement at the newly opened Grauman's Chinese Theatre in Hollywood on April 30, 1927. Fairbanks was elected first President of the Motion Picture Academy of Arts and Sciences that same year, and he hosted the first Academy Awards presentation (then held as a banquet, rather than today's big ceremony). Fairbanks' also has a star on the Hollywood Walk of Fame at 7020 Hollywood Boulevard.

Douglas Fairbanks as the title role in Robin Hood (1922).
His last silent film was The Iron Mask (1929). Although Fairbanks flourished in the silent film genre, the restrictions of early sound films dulled his enthusiasm for movie-making. Also, his althletic abilities and general health began to decline at this time, in part due to years of heavy chain-smoking. He and Pickford chose to make their first talkie as a joint venture, playing Petruchio and Kate in Shakespeare's The Taming of the Shrew (1929). This film, and his subsequent sound films, were poorly received by the public. The last movie he acted in was the British production The Private Life of Don Juan (1934), after which he retired from acting.

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