William C. DeMille

Birth name
William Churchill DeMille
Born July 25, 1878(1878-07-25)Washington, D.C.
DiedMarch 8, 1955 (aged 76)Playa del Ray, California
Spouse(s)Clara BerangerAnna Angela George (1903-1929)
ChildrenAnges DeMille (1905-1993)Peggy George (1908-1978)


Willam C. DeMille (July 25, 1878 – March 8, 1955) was a screenwriter and film director from the silent movie era through the early 1930s. He was also a noted playwright prior to moving into film.
DeMille was born in Washington, D.C to Henry Churchill DeMille (1853–1893), an Episcopal lay minister and playwright from North Carolina, and Matilda Beatrice Samuel (1853–1923), who was born to a Sephardic Jewish family in England but converted to her husband's faith. He was the elder brother of the versatile Cecil B. DeMille, who altered the spelling of his last name when he went to Hollywood, claiming that it fit better on marquees. (William continued to be known as "deMille," while his daughter Agnes chose "de Mille.") William received a bachelor's degree from Columbia University followed by graduate studies at the Academy of Dramatic Arts, at schools in Germany, and a second stint at Columbia studying under Brander Matthews.
In 1903 he married Anna Angela George, the daughter of notable economist Henry George. Anna bore William two children, choreographer Agnes de Mille (named after a younger sister who died in childhood) and actress Peggy George. Professionally, their life was stable. A successful Broadway playwright, William's works were regularly produced by the flamboyant impresario David Belasco. One notable production, The Warrens of Virginia (1907) featured future film star Mary Pickford and Cecil, both struggling actors playing minor roles. Cecil eventually moved to Hollywood and William followed suit. Though not as famous today as Cecil, he was one of the silents' most respected directors. And though most of his silents have been lost, 1921's Miss Lulu Bett shows a delicate touch in the telling of an impoverished spinster's misfortunes in a small town.
One of the writers involved in the film was Clara Beranger. At about this time, William also met Lorna Moon, an established New York author who also wrote sophisticated Hollywood comedies. In 1998, Richard de Mille, who had grown up in Cecil's household, revealed in the memoir My Secret Mother, Lorna Moon that William C. deMille was his father and screenwriter Moon his biological mother. Richard had been adopted by Cecil B. and Constance DeMille to avoid a family scandal. Apparently, William's wife never knew the truth of Richards's birth.
In addition to his filmmaking fame, William deMille was an early member of the Academy of Motion Picture Arts and Sciences. (His brother was a founding member.) He co-hosted the 1st Academy Awards and solo-hosted the 2nd Academy Awards. He also served as the president of the academy briefly. DeMille helped found the USC Film School in 1929, and after his East Coast theatrical career failed to revive in the early 1930s, he was active on the faculty there until his death. He has a star on the Hollywood Walk of Fame, located at 6101 Hollywood Blvd.
DeMille died in 1955 while living in Playa del Rey, California and was interred in the Hollywood Cemetery.

Harold Lloyd filmography

Early films
The Old Monk's Tale (1913) (uncredited debut)
The Twelfth Juror (1913) (uncredited)
Cupid in a Dental Parlor (1913) (unconfirmed)
Hulda of Holland (1913) (uncredited)
His Chum the Baron (1913) (unconfirmed)
A Little Hero (1913) (uncredited)
Rory o' the Bogs (1913) (uncredited)
Twixt Love and Fire (1914) - also starring Fatty Arbuckle
Sealed Orders (1914) (unconfirmed)
Samson (1914) (uncredited)
The Sandhill Lovers (1914) (as Hal Lloyd)
The Patchwork Girl of Oz (1914) (uncredited)
Beyond His Fondest Hopes (1915)
Pete, the Pedal Polisher (1915)
Close-Cropped Clippings (1915)
Hogan's Romance Upset (1915) (uncredited)
Willie Runs the Park (1915)
Just Nuts (1915) - as Willie Work
Love, Loot and Crash (1915) (uncredited)
Their Social Splash (1915)
Miss Fatty's Seaside Lovers (1915) - also starring Fatty Arbuckle
From Italy's Shores (1915)
Court House Crooks, or Courthouse Crooks (1915) - as Young Man Out of Work (uncredited)
The Hungry Actors (1915)
The Greater Courage (1915)
A Submarine Pirate (1915) - as Cook AND HE HAVES MORE

Harold Lloyd

Renewed interest

The Harold Lloyd Comedy Collection of DVDs, released November 2005This image is a candidate for speedy deletion. It will be deleted after Thursday, 3 November 2007.
Lloyd kept copyright control of most of his films and re-released them infrequently after his retirement. As a consequence, his reputation and public recognition suffered in comparison with Chaplin and Keaton, whose work has generally been more available.
Also, Lloyd's film character was so intimately associated with the 1920s era that attempts at revivals in 1940s and 1950s were poorly received, when audiences viewed the 1920s (and silent film in particular) as old-fashioned. In the early 1960s, Lloyd produced two compilation films, featuring scenes from his old comedies, Harold Lloyd's World of Comedy (1962) and The Funny Side of Life (1963).
These films were positively received and renewed interest in Lloyd, helping to restore Lloyd's status among film historians. Throughout his later years he screened his films for audiences at special charity and educational events, to great acclaim.
Following his death, most of his feature films were marketed by Time-Life Films and shown frequently on television, but these were poorly presented, with intrusive narration and insensitive musical scores. Through the efforts of Kevin Brownlow and David Gill and the support of granddaughter Suzanne Lloyd Hayes, the British Thames Silents series re-released some of the feature films in the early 1990s on video (with new orchestral scores by Carl Davis).
More recently, the remainder of Lloyd's great silent features and many shorts were fully restored, with new orchestral scores by Robert Israel. These are now frequently shown on the Turner Classic Movies (TCM) cable channel. An acclaimed 1990 documentary by Brownlow and Gill also created a renewed interest in Lloyd's work in the early 1990s. A DVD Collection of restored versions of most of his feature films (and his more important shorts) was released by New Line Cinema in partnership with the Harold Lloyd Trust in November 2005, along with limited theatrical screenings in New York and other cities in the US, Canada and Europe. Annette Lloyd has also said that if there is a large-enough show of support by fans, a second collection may be released in the future

Academy Award
In 1952, Lloyd received a special Academy Award for being a "master comedian and good citizen." The second citation was a snub to Chaplin, who at that point had fallen foul of McCarthyism and who had had his entry visa to the United States revoked. Regardless of political aspects, Lloyd accepted the award in good part.

Death
Lloyd died at age 77 from prostate cancer on March 8, 1971, in Beverly Hills, California, U.S. . He was interred in a crypt in the Great Mausoleum at Forest Lawn Memorial Park Cemetery in Glendale, California.

Walk of Fame
Harold Lloyd has two stars on the Hollywood Walk of Fame. His was only the fourth ceremony preserving his handprints, footprints, autograph, and outline of his famed glasses, at Grauman's Chinese Theatre, in 1927. In 1994, he was honored with his image on a United States postage stamp designed by caricaturist Al Hirschfeld.

Tributes and references to Lloyd
The 2001 Futurama episode "That's Lobstertainment!" was a tribute to Harold Lloyd, featuring an alien version of him, named Harold Zoid.
In the opening scene of Back to the Future, amongst the plethora of clocks in "Doc" Brown's house, one featuring the tiny figure of Lloyd hanging from the hands can be seen.
Lloyd is mentioned in the 2004 movie I, Robot.

Harold Lloyd

'Talkies' and semi-successful transition
In 1924 he formed his own independent film production company, the Harold Lloyd Film Corporation, with his films distributed by Pathé and later Paramount and Twentieth Century-Fox. Lloyd was a founding member of the Academy of Motion Picture Arts and Sciences.
Lloyd made the transition to sound in 1929 with Welcome Danger (the original unreleased silent version of this film was screened in various cities on the 2005 re-release of Lloyd's films). Released a few weeks before the start of the Great Depression, it was a huge financial success, with audiences eager to hear Lloyd's voice on film. Lloyd's rate of film releases, which had been one or two a year in the 1920s, slowed to about one every two years until 1938.
The films released during this period were: Feet First (1930), with a similar scenario to Safety Last which found him clinging to a skyscraper at the climax; Movie Crazy (1932) with Constance Cummings; The Cat's-Paw (1934), which was a dark political comedy and a big departure for Lloyd; and The Milky Way (1936), which was Lloyd's only attempt at screwball comedy, at that point hugely fashionable.
To this point the films had been personally produced by Lloyd's own company, Unfortunately, his go-getting screen character was now out of touch with Great Depression movie audiences of the 1930s. As the length of time between his film releases increased, his popularity declined, and so did his production company. His final film of the decade, Professor Beware, was made by the Paramount staff, with Lloyd functioning only as actor and partial financier.
On March 23, 1937, Lloyd sold the land of his studio Harold Lloyd Motion Picture Company to The Church of Jesus Christ of Latter-Day Saints. The location is now the site of the Los Angeles California Temple.
Lloyd produced a few comedies for RKO Radio Pictures in the early 1940s but otherwise retired from the screen until 1947. He returned for an additional starring appearance in The Sin of Harold Diddlebock (1947), an ill-fated homage to Lloyd's career directed by Preston Sturges and financed by Howard Hughes. The idea was to show what happened to Harold's optimistic character from The Freshman in later life. Diddlebock actually opened with footage from The Freshman, and Lloyd was sufficiently youthful-looking to match the older scenes quite well. Lloyd and Sturges had different conceptions of the material, however, and fought frequently during the shoot. The finished film was released briefly in 1947, then shelved by producer Hughes. Hughes recut the film and reissued in 1950 under the title Mad Wednesday. It was a sad end to a brilliant film career.

Marriage and home
Lloyd married his leading lady, Mildred Davis, on Saturday February 10, 1923. Together, they had two children: Gloria Lloyd (born 1923), and Harold Lloyd, Jr., (1931-1971). They also adopted Peggy (1924-1986) in 1930. Lloyd, for a time, discouraged Davis from continuing her acting career. He later relented, but by that time her career momentum was lost. Mildred died in 1969, two years before Lloyd's death.

Harold Lloyd and future wife: Mildred Davis in I Do in 1921
Lloyd's Beverly Hills home, "Greenacres" was built in 1926–1929, with 44 rooms, 26 bathrooms, 12 fountains, 12 gardens, and a nine hole golf course. The estate left the possession of the Lloyd family in 1975, after a failed attempt to maintain it as a public museum.
The grounds were subsequently subdivided, but the main house remains and is frequently used as a filming location, appearing in films like Westworld and The Loved One (film). It is listed on the National Register of Historic Places.

Radio and retirement
In October 1944, he emerged as the director and host of The Old Gold Comedy Theater, an NBC radio anthology series, when Preston Sturges turned the job down but recommended him for it. The show presented half-hour radio adaptations of recently successful film comedies, launching with a version of Palm Beach Story with Claudette Colbert and Robert Young.
Some saw The Old Gold Comedy Theater as being a lighter version of Lux Radio Theater, and it featured some of the best-known film and radio personalities of the day, including Fred Allen, June Allyson, Lucille Ball, Ralph Bellamy, Linda Darnell, Susan Hayward, Herbert Marshall, Dick Powell, Edward G. Robinson, Jane Wyman, and Alan Young, among others. But the show's half-hour format — which meant the material might have been truncated too severely — and Lloyd's sounding somewhat ill at ease on the air for much of the season (though he spent weeks training himself to speak on radio prior to the show's premiere, and seemed more relaxed toward the end of the series run) may have worked against it.
The Old Gold Comedy Theater ended in June 1945 with an adaptation of Tom, Dick, and Harry, featuring June Allyson and Reginald Gardiner and was not renewed for the following season. Many years later, acetate discs of 29 of the shows were discovered in Lloyd's home, and they now circulate among old-time radio collectors.
Lloyd remained involved in a number of other interests, including civic and charity work. Inspired by having overcome his own serious injuries and burns, he was very active with the Shriners Hospital for Crippled Children, and eventually rose to that organization's highest office, Imperial Potentate.
He appeared as himself on several television shows during his retirement, first on Ed Sullivan's variety show Toast of the Town June 5, 1949 and again in July 6, 1958. He appeared as the Mystery Guest on What's My Line? in April 26, 1953, and twice on This Is Your Life: on March 10, 1954 for Mack Sennett, and again on December 14, 1955 on his own episode.
Lloyd studied colors, microscopy, and was very involved with photography, including 3D photography and color film experiments. Some of the earliest 2-color Technicolor tests were shot at his Beverly Hills home. He became known for his nude photographs of models, such as Bettie Page and stripper Dixie Evans, for a number of men's magazines. He also took photos of Marilyn Monroe lounging at his pool in a bathing suit which were published after their deaths. In 2004, his granddaughter Suzanne produced a book of selections from his photographs, Harold Lloyd's Hollywood Nudes in 3D!.
Lloyd also provided encouragement and support for a number of younger actors, including Jack Lemmon, Debbie Reynolds and Robert Wagner.

Harold Lloyd

Harold Clayton Lloyd (April 20, 1893 – March 8, 1971) was an American film actor and producer, most famous for his silent comedies.
Harold Lloyd ranks alongside Charlie Chaplin and Buster Keaton as one of the most popular and influential film comedians of the silent film era. Lloyd made nearly 200 comedy films, both silent and "talkies", between 1914 and 1947. He is best known for his "Glasses Character", a resourceful, success-seeking go-getter who was perfectly in tune with 1920s era America.
His films frequently contained "thrill sequences" of extended chase scenes and daredevil physical feats, for which he is best remembered today. Lloyd hanging from the hands of a clock high above the street in Safety Last! (1923) is one of the most enduring images in all of cinema. Lloyd did many of these dangerous stunts himself, despite having injured himself during the filming of Haunted Spooks (1920) when an accident with a prop bomb resulted in the loss of the thumb and index finger of his right hand (the injury was disguised on film with the use of a special prosthetic glove, though the glove often did not go by unnoticed).
Although Lloyd's individual films were not as commercially successful as Charlie Chaplin's on average, he was far more prolific (releasing twelve feature films in the 1920s while Chaplin released just three), and they made more money overall ($15.7 million to Chaplin's $10.5 million).

Early life and entry into films

Harold Lloyd in Safety Last! in 1923
Lloyd was born in Burchard, Nebraska to James Darsie Lloyd and Elizabeth Fraser; his paternal great-grandparents were from Wales. Lloyd had moved west with his family after his father failed in numerous business ventures.
He had acted in theater since boyhood, and started acting in one-reel film comedies shortly after moving to California in 1912 in San Diego, California. Lloyd soon began working with Thomas Edison's motion picture company, and eventually formed a partnership with fellow struggling actor and director Hal Roach, who had formed his own studio in 1913. The hard-working Lloyd became the most successful of Roach's comic actors between 1915 and 1919.
He hired Bebe Daniels as a supporting actress in 1914; the two of them were involved romantically and were known as "The Boy" and "The Girl". In 1919, she left Lloyd because of greater dramatic aspirations. Lloyd replaced Daniels with Mildred Davis in 1919, who the more he watched (from a movie Hal Roach told him to check out) the more he was eager to get her. Lloyd's first reaction in seeing her was that "she looked like a big French doll!"
Lloyd's early film character "Lonesome Luke" was by his own admission a frenetic imitation of Chaplin. By 1918, Lloyd and Roach had developed the "Glasses Character" (always named "Harold" in the films), a much more mature comedy character with greater potential for sympathy and emotional depth. Beginning in 1921, they moved from shorts to feature length comedies. These included the acclaimed Grandma's Boy (1922), which (along with Chaplin's The Kid) pioneered the combination of complex character development and film comedy, the sensational Safety Last! (1923), which cemented Lloyd's stardom, and Why Worry? (1923).
Lloyd and Roach parted ways in 1924, and Lloyd became the independent producer of his own films. These included his most accomplished mature features Girl Shy (1924), The Freshman (1925), The Kid Brother (1927), and Speedy (1928). Welcome Danger (1929) was originally a silent film but Lloyd decided late in the production to remake it with dialogue. All of these films were enormously successful and profitable. They were also highly influential and still find many fans among modern audiences, a testament to the originality and film-making skill of Lloyd and his talented collaborators. Like the other great silent comics, Lloyd was the driving creative force in his films, particularly the feature-length films. From this success he became one of the wealthiest and most influential figures in early Hollywood.

Milton Sills

Milton Sills (January 12, 1882 – September 15, 1930) was a highly successful American stage and film actor of the early twentieth century.
Milton Sills was born in Chicago, Illinois into a wealthy and highly regarded family. He was the son of a successful mineral dealer father and an heiress mother from a prosperous banking family. Upon completing high-school, Sills was offered a one-year scholarship to the University of Chicago where he studied psychology and philosophy. After graduating, he was offered a position at the university as a researcher and within several years worked his way up to becoming a professor at the school.
In 1905 stage actor Donald Robertson visited the school to lecture on author and playwright Henrik Ibsen and suggested to Sills that he should try his hand at acting. On a whim, Sills agreed and left his prestigious teaching career to embark on a stint in acting. Sills joined Robertson's stock theater company and began touring the country.
In 1908, while Milton Sills was performing in New York City, he garnered critical praise from such notable Broadway producers as David Belasco and Charles Frohman. That same year he made his Broadway debut in This Woman and This Man, which was an immediate success with both the theater-going public and critics. From 1908 to 1914, Sills appeared in about a dozen Broadway shows, becoming a crowd favorite and attaining a great deal of fame.
In 1910 Sills married English stage actress Gladys Edith Wynne. The union produced one child, Dorothy Sills, and the couple divorced in 1925. In 1926, Sills remarried, this time to silent film actress Doris Kenyon, and the couple had a son, Kenyon Clarence Sills, born in 1927.
In 1914 Milton Sills decided to conquer the new medium of motion pictures. He made his film debut the same year in the big-budget drama The Pit for World Company studios and was signed to a contract with film producer William A. Brady. The film was enormously successful and Sills made three more films for the company, including another huge box-office draw The Deep Purple opposite silent screen star Clara Kimball Young. By the late 1910s, Sills had reached leading man status and parted ways with the relatively small World Film company, taking the then unusual path of freelancing as an actor.
By the early 1920s, Sills was enjoying a highly successful acting career and working for such prominent film studios as MGM, Paramount Pictures, and Pathé. Sills was often paired with the most popular leading ladies of the era, including: Geraldine Farrar, Gloria Swanson and Viola Dana. His greatest public and commercial successes came with the now-lost Flaming Youth (1923) opposite Colleen Moore, and the enormous box-office hit The Sea Hawk (1924).
On May 11, 1927, Sills had the distinction of being among the original 36 individuals in the film industry to found the Academy of Motion Picture Arts and Sciences (AMPAS), a professional honorary organization dedicated to the advancement of the arts and sciences of motion pictures. Fellow performers included: Mary Pickford, Richard Barthelmess, Jack Holt, Conrad Nagel, Douglas Fairbanks, and Harold Lloyd.
Milton Sills made one sound picture, showing that he had an excellent voice. He died unexpectedly of a heart attack in 1930 while playing tennis with his wife at his Santa Barbara, California home at the age of 48. He was interred at the Rosehill Cemetery and Mausoleum in Chicago, Illinois, USA.
For his contribution to the motion picture industry, Milton Sills was awarded a star on the legendary Hollywood Walk of Fame at 6263 Hollywood Blvd. in Hollywood, California.

Conrad Nagel

Conrad Nagel (March 16, 1897 - February 24, 1970) was a successful American screen actor and matinee idol of the silent film era and beyond. He was also a well known television actor and radio performer.

Biography
Born in Keokuk, Iowa, into an upper middle-class family, he was the son of a musician father, Frank, and a mother, Frances (née Murphy), who was a locally praised singer. Nagel’s mother died early in his life, and he always attributed his artistic inclination to growing up in a family environment that encouraged self-expression. His father, Frank, became dean of the music conservatory at Highland Park College and when Nagel was three, the family moved to Des Moines.
After graduating from Highland Park College at Des Moines, Iowa, Nagel left for California to pursue a career in the relatively new medium of motion pictures where he garnered instant attention from the Hollywood studio executives. With his six foot tall frame, blue eyes, and wavy blond hair; the young, Midwestern Nagel was seen by studio executives as a potentially wholesome matinee idol whose unpretentious all-American charm would surely appeal to the nation's nascent film-goers.
Nagel was immediately cast in film roles that cemented his unspoiled lover image. His first film was the 1918 retelling of the Louisa May Alcott classic, Little Women, which quickly captured the public’s attention and set Nagel on a path to silent film stardom. His breakout role came in the 1920 film, The Fighting Chance, opposite Swedish starlet Anna Q. Nilsson.
On May 11, 1927, Nagel was among 35 other film industry insiders to found the Academy of Motion Picture Arts and Sciences (AMPAS); a professional honorary organization dedicated to the advancement of the arts and sciences of motion pictures. Fellow actors involved in the founding included: Mary Pickford, Douglas Fairbanks, Richard Barthelmess, Jack Holt, Milton Sills, and Harold Lloyd. He served as president of the organization from 1932 to 1933. He was also a founding member of the Screen Actors Guild (SAG).
In 1927, Nagel starred alongside Lon Chaney, Sr., Marceline Day, Henry B. Walthall and Polly Moran in the now lost Tod Browning directed horror classic, London After Midnight. The film is quite possibly the most famous and talked about lost film ever.
Unlike so many silent films stars of the Roaring Twenties, Conrad Nagel had little difficulty transitioning to talkies and spent the next several decades being very well received in high profile films as a character actor. He was also frequently heard on radio and made many notable appearances on television. From 1937 to 1947 he hosted and directed the radio program Silver Theater. Later on, from 1949 to 1952 he hosted the popular TV game show, Celebrity Time.
In 1940, Nagel was given an Honorary Academy Award for his work with the Motion Picture Relief Fund. He was the host of the 3rd Academy Awards ceremony held on November 5, 1930, the 5th Academy Awards on November 18, 1932, and a co-host with Bob Hope at the 25th Academy Awards ceremony on March 19, 1953. The 21-year gap between his appearances in 1932 and 1953 is a record for an Oscar ceremonies host. He was also host of the 1930 Emmy Awards.
Nagel married and divorced three times. His first wife, Ruth Helms, gave birth to a daughter, Ruth Margaret, in 1920. His second wife was Lynn Merrick. His third wife was Michael Coulson Smith, who gave birth to a son Michael in the late 1950s.
In 1970, Nagel died in New York City, aged 72, and was cremated at Garden State Crematory in North Bergen, New Jersey.
For his contributions to film, radio, and television, Conrad Nagel was given three stars on the Hollywood Walk of Fame at 1719 Vine Street (Motion Pictures), 1752 Vine Street (Radio), and 1752 Vine Street (Television).

Conrad Nagel filmography
The Man Who Understood Women (1959)
A Stranger in My Arms (aka And Ride a Tiger) (1959)
Hidden Fear (1957)
All That Heaven Allows (1955)
Stage Struck (1948)
The Adventures of Rusty (1945)
Forever Yours (1945)
I Want a Divorce (1940)
One Million B.C. (1940) .... Narrator
The Mad Empress (1939)
Bank Alarm (1937)
The Gold Racket (1937)
Navy Spy (1937)
The Gold Racket {1937)
Wedding Present (1936)
The Girl From Mandalay (1936)
Ball at Savoy (1936)
One New York Night (1935)
Death Flies East (1935)
One Hour Late (1935)
Dangerous Corner (1934)
The Marines Are Coming (1934)
Ann Vickers (1933)
The Constant Woman (1933)
Fast Life (1932)
Kongo (1932)
Divorce in the Family (1932)
The Man Called Back (1932)
Hell Divers (1931) with Wallace Beery and Clark Gable
The Pagan Lady (1931)
The Reckless Hour (1931)
Son of India (1931)
Three Who Loved (1931)
The Bad Sister (1931)
The Right of Way (1931)
East Lynne (1931)
Free Love (1930)
Today (1930)
Du Barry, Woman of Passion (1930)
A Lady Surrenders (1930)
Numbered Men (1930)
One Romantic Night (1930)
The Divorcee (1930)
Redemption (1930)
Second Wife (1930)
The Ship from Shanghai (1930)
Dynamite (1929)
The Sacred Flame (1929)
The Kiss (1929)
The Thirteenth Chair (1929)
The Idle Rich (1929)
Kid Gloves (1929)
The Redeeming Sin (1929)
Red Wine (1928)
The Terror (1928) (uncredited)
Caught in the Fog (1928)
State Street Sadie (1928)
The Mysterious Lady (1928)
The Michigan Kid (1928)
Diamond Handcuffs (1928)
Glorious Betsy (1928)
The Crimson City (1928)
Tenderloin (1928)
If I Were Single (1927)
London After Midnight (1927)
The Girl from Chicago (1927)
Quality Street (1927)
Slightly Used (1927)
Heaven on Earth (1927)
There You Are! (1926)
Tin Hats (1926)
The Waning Sex (1926)
Exquisite Sinner (1926)
Memory Lane (1926)
Dance Madness (1926)
Lights of Old Broadway (1925)
The Only Thing (1925)
Sun-Up (1925)
Pretty Ladies (1925)
Cheaper to Marry (1925)
Excuse Me (1925)
So This Is Marriage? (1924)
The Snob (1924)
Married Flirts (1924)
Sinners in Silk (1924)
Tess of the D'Urbervilles (1924)
The Rejected Woman (1924)
Three Weeks (1924)
Name the Man (1924)
The Rendezvous (1923)
Lawful Larceny (1923)
Bella Donna (1923)
Grumpy (1923)
Singed Wings (1922)
The Impossible Mrs. Bellew (1922)
Nice People (1922)
The Ordeal (1922)
Hate (1922)
Saturday Night (1922)
Fool's Paradise (1921)
Sacred and Profane Love (1921)
The Lost Romance (1921)
What Every Woman Knows (1921)
Midsummer Madness (1920)
Unseen Forces (1920)
The Fighting Chance (1920)
Romeo's Dad (1919)
The Redhead (1919)
The Lion and the Mouse (1919)
Little Women (1918)